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From Jacob Burckhardt's 2nd edition of the Civilization of the Renaissance in Italy; edited for this on-line publication, by ELLOPOS
Part Four: Discovery of the World and of Man
Biography in the Middle Ages and in the Renaissance
» Full Contents of this Part
Page 11
In the 'Exhortation' which Cornaro added at a much later time, in his ninety-fifth year, he reckons it among the elements of his happiness that his 'Treatise' had made many converts. He died at Padua in 1565, at the age of over a hundred years.
This national gift did not, however, confine itself to the criticism and description of individuals, but felt itself competent to deal with the qualities and characteristics of whole peoples. Throughout the Middle Ages the cities, families, and nations of all Europe were in the habit of making insulting and derisive attacks on one another, which, with much caricature, contained commonly a kernel of truth. But from the first the Italians surpassed all others in their quick apprehension of the mental differences among cities and populations. Their local patriotism, stronger probably than in any other medieval people, soon found expression in literature, and allied itself with the current conception of 'Fame.' Topography became the counterpart of biography; while all the more important cities began to celebrate their own praises in prose and verse, writers appeared who made the chief towns and districts the subject partly of a serious comparative description, partly of satire, and sometimes of notices in which jest and earnest are not easy to be distinguished. Next to some famous passages in the 'Divine Comedy,' we have here the 'Dittamondo' of Uberti (about 1360). As a rule, only single remarkable facts and characteristics are here mentioned: the Feast of the Crows at Sant' Apollinare in Ravenna, the springs at Treviso, the great cellar near Vicenza, the high duties at Mantua, the forest of towers at Lucca. Yet mixed up with all this, we find laudatory and satirical criticisms of every kind. Arezzo figures with the crafty disposition of its citizens, Genoa with the artificially blackened eyes and teeth (?) of its women, Bologna with its prodigality, Bergamo with its coarse dialect and hard-headed people. In the fifteenth century the fashion was to belaud one's own city even at the expense of others. Michele Savonarola allows that, in comparison with his native Padua, only Rome and Venice are more splendid, and Florence perhaps more joyous - by which our knowledge is naturally not much extended. At the end of the century, Jovianus Pontanus, in his 'Antonius,' writes an imaginary journey through Italy, simply as a vehicle for malicious observations. But in the sixteenth century we meet with a series of exact and profound studies of national characteristics, such as no other people of that time could rival. Machiavelli sets forth in some of his valuable essays the character and the political condition of the Germans and French in such a way that the born northerner, familiar with the history of his own country, is grateful to the Florentine thinker for his flashes of insight. The Florentines begin to take pleasure in describing themselves; and basking in the well-earned sunshine of their intellectual glory, their pride seems to attain its height when they derive the artistic preeminence of Tuscany among Italians, not from any special gifts of nature, but from hard, patient work. The homage of famous men from other parts of Italy, of which the sixteenth Capitolo of Ariosto is a splendid example, they accepted as a merited tribute to their excellence.
Civilization of the Renaissance in Italy: Table of Contents
url: www.ellopos.net/politics/renaissance/default.asp
Cf. The Ancient Greece * The Ancient Rome
The Eastern Roman Empire (Byzantium) * The Making of Europe
