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From Jacob Burckhardt's 2nd edition of the Civilization of the Renaissance in Italy; edited for this on-line publication, by ELLOPOS
Part Four: Discovery of the World and of Man
Biography in the Middle Ages and in the Renaissance
» Full Contents of this Part
Part Four: The Discovery of the World and of Man » Journeys of the Italians » The Natural Sciences in Italy » Discovery of the Beauty of the Landscape » Discovery of Man » Biography in the Middle Ages » Description of the Outward Man » Description of Human Life
Outside the sphere of poetry also, the Italians were the first of all European nations who displayed any remarkable power and inclination accurately to describe man as shown in history, according to his inward and outward characteristics.
It is true that in the Middle Ages considerable attempts were made in the same direction; and the legends of the Church, as a kind of standing biographical task, must, to some extent, have kept alive the interest and the gift for such descriptions. In the annals of the monasteries and cathedrals, many of the churchmen, such as Meinwerk of Paderborn, Godehard of Hildesheim, and others, are brought vividly before our eyes; and descriptions exist of several of the German emperors, modelled after old authors - particularly Suetonius - which contain admirable features. Indeed these and other profane 'vitae' came in time to form a continuous counterpart to the sacred legends. Yet neither Einhard nor Wippo nor Radevicus can be named by the side of Joinville's picture of St. Louis, which certainly stands almost alone as the first complete spiritual portrait of a modern European nature. Characters like St. Louis are rare at all times, and his was favored by the rare good fortune that a sincere and naive observer caught the spirit of all the events and actions of his life, and represented it admirably. From what scanty sources are we left to guess at the inward nature of Frederick II or of Philip the Fair. Much of what, till the close of the Middle Ages, passed for biography, is properly speaking nothing but contemporary narrative, written without any sense of what is individual in the subject of the memoir.
Cf. The Ancient Greece * The Ancient Rome
The Eastern Roman Empire (Byzantium) * The Making of Europe