A force which we must constantly take into account in judging of the morality of the more highly developed Italian of this period, is that of the imagination. It gives to his virtues and vices a peculiar color, and under its influence his unbridled egotism shows itself in its most terrible shape.
The force of his imagination explains, for example, the fact that he was the first gambler on a large scale in modern times. Pictures of future wealth and enjoyment rose in such lifelike colors before his eyes, that he was ready to hazard everything to reach them. The Mohammedan nations would doubtless have anticipated him in this respect, had not the Koran, from the beginning, set up the prohibition against gambling as a chief safeguard of public morals, and directed the imagination of its followers to the search after buried treasures. In Italy, the passion for play reached an intensity which often threatened or altogether broke up the existence of the gambler. Florence had already, at the end of the fourteenth century, its Casanova - a certain Buonaccorso Pitti, who, in the course of his incessant journeys as merchant, political agent, diplomatist and professional gambler, won and lost sums so enormous that none but princes like the Dukes of Brabant, Bavaria, and Savoy, were able to compete with him. That great lottery-bank, which was called the Court of Rome, accustomed people to a need of excitement, which found its satisfaction in games of hazard during the intervals between one intrigue and another. We read, for example, how Franceschetto Cibo, in two games with the Cardinal Raffaello Riario, lost no less than 14,000 ducats, and afterwards complained to the Pope that his opponent has cheated him. Italy has since that time been the home of the lottery.
