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From Hutton Webster's, Early European History (1917); edited for this on-line publication, by ELLOPOS
» Contents of this Chapter
Page 20
CHAUCER, 1340(?)-1400 A.D.
Geoffrey Chaucer, who has been called the "morning star" of the English Renaissance, was a story-teller in verse. His Canterbury Tales are supposed to be told by a company of pilgrims, as they journey from London to the shrine of Thomas Becket at Canterbury. Chaucer describes freshly and with unfailing good spirits the life of the middle and upper classes. He does not reveal, any more than his contemporary Froissart, the labor and sorrows of the down-trodden peasantry. But Chaucer was a true poet, and his name stands high in England's long roll of men of letters.
SHAKESPEARE, 1564-1616 A.D.
This survey of the national authors of the Renaissance may fitly close with William Shakespeare, whose genius transcended national boundaries and made him a citizen of all the world. His life is known to us only in barest outline. Born at Stratford-on-Avon, of humble parentage, he attended the village grammar school, where he learned "small Latin and less Greek", went to London as a youth, and became an actor and a playwright. He prospered, made money both from his acting and the sale of his plays, and at the age of forty-four retired to Stratford for the rest of his life. Here he died eight years later, and here his grave may still be seen in the village church. During his residence in London he wrote, in whole or in part, thirty-six or thirty-seven dramas, both tragedies and comedies. They were not collected and published until several years after his death. Shakespeare's plays were read and praised by his contemporaries, but it has remained for modern men to see in him one who ranks with Homer, Vergil, Dante, and Goethe among the great poets of the world.
PERSONALITY IN RENAISSANCE LITERATURE
Renaissance poets and prose writers revealed themselves in their books. In the same way the sculptors and painters of the Renaissance worked out their own ideas and emotions in their masterpieces. This personal note affords a sharp contrast to the anonymity of the Middle Ages. We do not know the authors of the Song of Roland, the Nibelungenlied, and Reynard the Fox, any more than we know the builders of the Gothic cathedrals. Medieval literature subordinated the individual; that of the Renaissance expressed the sense of individuality and man's interest in himself. It was truly "humanistic."
Cf. Jacob Burckhardt's, The Civilization of the Renaissance in Italy
THE MAKING OF EUROPE / EARLY EUROPEAN HISTORY: Table of Contents
url: www.ellopos.net/politics/european-history/default.asp
Cf. The Ancient Greece * The Ancient Rome
Eastern Roman Empire (Byzantium) * Western Medieval Europe * Renaissance in Italy
