We might thus critically examine the various sides of Italian Catholicism at this period, and so establish with a certain degree of probability the attitude of the instructed classes towards popular faith. Yet an absolute and positive result cannot be reached. We meet with contrasts hard to explain. While architects, painters, and sculptors were working with restless activity in and for the churches, we hear at the beginning of the sixteenth century the bitterest complaints of the neglect of public worship and of these churches themselves.
It is well known how Luther was scandalized by the irreverence with which the priests in Rome said Mass. And at the same time the feasts of the Church were celebrated with a taste and magnificence of which Northern countries had no conception. It looks as if this most imaginative of nations was easily tempted to neglect everyday things, and as easily captivated by anything extraordinary.
It is to this excess of imagination that we must attribute the epidemic of religious revivals upon which we shall again say a few words. They must be clearly distinguished from the excitement called forth by the great preachers. They were rather due to general public calamities, or to the dread of such.