Maura, in the Church of St. Peter (1462); but we gather from his own narrative that he only did it from a kind of shame, as so many princes were competing for the relic. It was not till afterwards that the idea struck him of making Rome the common refuge for all the remains of the saints which had been driven from their own churches. Under Sixtus IV, the population of the city was still more zealous in this cause than the Pope himself, and the magistracy (1483) complained bitterly that Sixtus had sent to Louis XI, the dying King of France, some specimens of the Lateran relics. A courageous voice was raised about thin time at Bologna, advising the sale of the skull of St. Dominic to the King of Spain, and the application of the money to some useful public object. But those who had the least reverence of all for the relics were the Florentines. Between the decision to honour their saint, St. Zanobi, with a new sarcophagus and the final execution of the project by Ghiberti, ten years elapsed (1432-42) and then it only happened by chance, because the master had executed a smaller order of the same kind with great skill (1428).
Perhaps through being tricked by a cunning Neapolitan abbess (1352), who sent them a spurious arm of the patroness of the Cathedral, Santa Reparata, made of wood and plaster, they began to get tired of relics. Or perhaps it would be truer to say that their aesthetic sense turned them away in disgust from dismembered corpses and mouldy clothes. Or perhaps their feeling was rather due to that sense of glory which thought Dante and Petrarch worthier of a splendid grave than all the twelve apostles put together. It is probable that throughout Italy, apart from Venice and from Rome, the condition of which latter city was exceptional, the worship of relics had long been giving way to the adoration of the Madonna, at all events to a greater extent than elsewhere in Europe; and in this fact lies indirect evidence of an early development of the aesthetic sense.
