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CIVILIZATION OF THE RENAISSANCE IN ITALY

From Jacob Burckhardt's 2nd edition of the Civilization of the Renaissance in Italy; edited for this on-line publication, by ELLOPOS

Part Five: Society and Festivals

Music

Rediscovering the Path to Europe
Em. Macron, Rediscovering the Path to Europe


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Page 3

The number and variety of these instruments is shown by the fact that collections of them were now made from curiosity. In Venice, which was one of the most musical cities of Italy, there were several such collections, and when a sufficient number of performers happened to be on the spot, a concert was at once improvised. In one of these museums there was a large number of instruments, made after ancient pictures and descriptions, but we are not told if anybody could play them, or how they sounded. It must not be forgotten that such instruments were often beautifully decorated, and could be arranged in a manner pleasing to the eye. We thus meet with them in collections of other rarities and works of art.

The players, apart from the professional performers, were either single amateurs, or whole orchestras of them, organized into a corporate Academy. Many artists in other branches were at home in music, and often masters of the art. People of position were averse to wind instruments, for the same reason which made them distasteful to Alcibiades and Pallas Athene. In good society singing, either alone or accompanied with the violin, was usual; but quartettes of string instruments were also common, and the 'clavicembalo' was liked on account of its varied effects. In singing, the solo only was permitted, 'for a single voice is heard, enjoyed, and judged far better.' In other words, as singing, notwithstanding all conventional modesty, is an exhibition of the individual man of society, it is better that each should be seen and heard separately. The tender feelings produced in the fair listeners are taken for granted, and elderly people are therefore recommended to abstain from such forms of art, even though they excel in them. It was held important that the effect of the song should be enhanced by the impression made on the sight. We hear nothing, however, of the treatment in these circles of musical composition as an independent branch of art. On the other hand it happened sometimes that the subject of the song was some terrible event which had befallen the singer himself.

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Civilization of the Renaissance in Italy: Table of Contents

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Rediscovering the Path to Europe Henrik Ibsen, A Doll's House

Learned Freeware

Cf. The Ancient Greece * The Ancient Rome
The Eastern Roman Empire (Byzantium) * The Making of Europe

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