What is left of these festivals is but a poor remnant of what once existed. Both religious and secular displays of this kind have abandoned the dramatic element - the costumes - partly from dread of ridicule, and partly because the cultivated classes, which formerly gave their whole energies to these things, have for several reasons lost their interest in them. Even at the Carnival, the great processions of masks are out of fashion. What still remains, such as the costumes adopted in imitation of certain religious confraternities, or even the brilliant festival of Santa Rosalia at Palermo, shows clearly how far the higher culture of the country has withdrawn from such interests.
The festivals did not reach their full development till after the decision victory of the modern spirit in the fifteenth century, unless perhaps Florence was here, as in other things, in advance of the rest of Italy. In Florence, the several quarters of the city were, in early times, organized with a view to such exhibitions, which demanded no small expenditure of artistic effort. Of this kind was the representation of Hell, with a scaffold and boats in the Arno, on the 1st of May, 1304, when the Ponte alla Carraia broke down under the weight of the spectators. That at a later time the Florentines used to travel through Italy as directors of festivals (festaiuoli), shows that the art was early perfected at home.
