In Venice and Florence at the time of the Renaissance there were rules and regulations prescribing the dress of the men and restraining the luxury of the women. Where the fashions were more free, as in Naples, the moralists confess with regret that no difference can be observed between noble and burgher. They further deplore the rapid changes of fashion, and - if we rightly understand their words - the senseless idolatry of whatever comes from France, though in many cases the fashions which were received back from the French were originally Italian. It does not further concern us how far these frequent changes, and the adoption of French and Spanish ways, contributed to the national passion for external display; but we find in them additional evidence of the rapid movement of life in Italy in the decades before and after the year 1500.
We may note in particular the efforts of the women to alter their appearance by all the means which the toilette could afford. In no country of Europe since the fall of the Roman Empire was so much trouble taken to modify the face, the color of the skin and the growth of the hair, as in Italy at this time. All tended to the formation of a conventional type, at the cost of the most striking and transparent deceptions. Leaving out of account costume in general, which in the fourteenth century was in the highest degree varied in color and loaded with ornament, and at a later period assumed a character of more harmonious richness, we here limit ourselves more particularly to the toilette in the narrower sense.
