But however idealistic the object and purpose of such conspiracies may appear, the manner in which they were conducted betrays the influence of that worst of all conspirators, Catiline, a man in whose thoughts freedom had no place whatever. The annals of Siena tell us expressly that the conspirators were students of Sallust, and the fact is indirectly confirmed by the confession of Olgiati. Elsewhere, too, we meet with the name of Catiline, and a more attractive pattern of the conspirator, apart from the end he followed, could hardly be discovered.
Among the Florentines, whenever they got rid of, or tried to get rid of, the Medici, tyrannicide was a practice universally accepted and approved. After the flight of the Medici in 1494, the bronze group of Donatello Judith with the dead Holofernes was taken from their collection and placed before the Palazzo della Signoria, on the spot where the 'David' of Michelangelo now stands, with the inscription, 'Exemplum salutis publicae cives posuere 1495. No example was more popular than that of the younger Brutus, who, in Dante, lies with Cassius and Judas Iscariot in the lowest pit of hell, because of his treason to the empire. Pietro Paolo Boscoli, whose plot against Giuliano, Giovanni, and Giulio Medici failed (1513), was an enthusiastic admirer of Brutus, and in order to follow his steps, only waited to find a Cassius. Such a partner he met with in Agostino Capponi. His last utterances in prison a striking evidence of the religious feeling of the time show with what an effort he rid his mind of these classical imaginations, in order to die like a Christian. A friend and the confessor both had to assure him that St. Thomas Aquinas condemned conspirators absolutely; but the confessor afterwards admitted to the same friend that St. Thomas drew a distinction and permitted conspiracies against a tyrant who bad forced himself on a people against their will.