Start ||| The Philosophical Europe ||| The Political Progress ||| European Witness ||| EU News Blog ||| Special Homages: Meister Eckhart / David Copperfield

THE MAKING OF EUROPE / EARLY EUROPEAN HISTORY

From Hutton Webster's, Early European History (1917); edited for this on-line publication, by ELLOPOS

IX. CLASSICAL CIVILIZATION

Em. Macron, Rediscovering the Path to Europe

» Contents of this Chapter

The Classical City   * Education and the Condition of Children   * Marriage and the Position of Women   * The Home and Private Life   * Amusements   * Slavery   * Greek Literature   * Greek Philosophy   * Roman Literature   * Greek Architecture   * Greek Sculpture   * Roman Architecture and Sculpture   * Artistic Athens   * Artistic Rome

Page 42

ARCHITECTURE OF THE PARTHENON

The other temple on the Acropolis is the world-famed edifice known as the Parthenon, the shrine of the Virgin of the Athena. The Parthenon illustrates the extreme simplicity of a Greek temple. It had no great size or height and included only two chambers. The rear room stored sacred vessels and furniture used in worship, state treasure, and the more valuable offerings intrusted to the goddess for safekeeping. The second and larger room contained a colossal gold and ivory statue of Athena, the work of Phidias. It faced the eastern entrance so that it might be bathed in the rays of the rising sun. Apart from the large doors a certain amount of light reached the interior through the semi-transparent marble tiles of the roof. The Doric columns surrounding the building are marvels of fine workmanship. The Parthenon, because of its perfection of construction and admirable proportions, is justly regarded as a masterpiece of architecture.

SCULPTURES OF THE PARTHENON

The Parthenon was also remarkable for its sculptures executed under the superintendence of Phidias. The subjects of the pediment sculptures are taken from the mythic history of Athena. The frieze of the Parthenon consists of a series of sculptured slabs, over five hundred feet in length. The subject was the procession of the Great Panathenaea, the principal festival in honor of Athena. At this time the sacred robe of the goddess, woven anew for each occasion, was brought to adorn her statue. The procession is thought of as starting from the western front, where Athenian youths dash forward on their spirited steeds. Then comes a brilliant array of maidens, matrons, soldiers, and luteplayers. Near the center of the eastern front they meet a group of divinities, who are represented as spectators of the imposing scene. This part of the frieze is still in excellent condition.

THE GLORY OF ATHENS

It was, indeed, a splendid group of buildings that rose on the Acropolis height. If to-day they have lost much of their glory, we can still understand how they were the precious possession of the Athenians and the wonder of all the ancient world. "O shining, violet-crowned city of song, great Athens, bulwark of Hellas, walls divine!" The words are those of an old Greek poet, [53] but they are reëchoed by all who have come under the magic spell of the literature and art of the Athenian city.

[53] Pindar, Fragments, 76.

 

Previous / First / Next Page of this Chapter

THE MAKING OF EUROPE / EARLY EUROPEAN HISTORY: Table of Contents

url: www.ellopos.net/politics/european-history/default.asp

IN PRINT

Cf. The Ancient Greece * The Ancient Rome
Eastern Roman Empire (Byzantium) * Western Medieval Europe * Renaissance in Italy