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THE MAKING OF EUROPE / EARLY EUROPEAN HISTORY

From Hutton Webster's, Early European History (1917); edited for this on-line publication, by ELLOPOS

IX. CLASSICAL CIVILIZATION

Rediscovering the Path to Europe
Em. Macron, Rediscovering the Path to Europe


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Page 37

ROMAN SCULPTURE

Roman sculpture owed much to Greek models. However, the portrait statues and bas-reliefs show originality and illustrate the tendency of the Romans toward realism in art. The sculptor tried to represent an historic person as he really looked or an historic event, for example, a battle or a triumphal procession, as it actually happened. The portrait statues of Roman emperors and the bas-reliefs from the arch of Titus impress us at once with a sense of their reality.

WALL PAINTINGS

Our knowledge of Roman painting is almost wholly confined to the wall paintings found at Rome, Herculaneum, and Pompeii. What has survived is apparently the work of ordinary craftsmen, who, if not Greeks, were deeply affected by the Greek spirit. Most of the scenes they depict are taken from classical mythology. The coloring is very rich; and the peculiar shade of red used is known to-day by the name of "Pompeian red." The practice of mural painting passed over from the Romans to European artists, who have employed it in the frescoes of medieval and modern churches.

 

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THE MAKING OF EUROPE / EARLY EUROPEAN HISTORY: Table of Contents

url: www.ellopos.net/politics/european-history/default.asp


IN PRINT

Rediscovering the Path to Europe Henrik Ibsen, A Doll's House

Learned Freeware

Cf. The Ancient Greece * The Ancient Rome
Eastern Roman Empire (Byzantium) * Western Medieval Europe * Renaissance in Italy

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