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THE MAKING OF EUROPE / EARLY EUROPEAN HISTORY

From Hutton Webster's, Early European History (1917); edited for this on-line publication, by ELLOPOS

IX. CLASSICAL CIVILIZATION

Rediscovering the Path to Europe
Em. Macron, Rediscovering the Path to Europe


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Page 31

MATERIALS

The Greek sculptor worked with a variety of materials. Wood was in common use during primitive times. Terra cotta was employed at all periods for statuettes a few inches in height. Productions in gold and ivory, from the costliness of these objects, were extremely rare. Bronze was the favorite material of some of the most eminent artists. The Greek sculptor especially relied on the beautiful marbles in which his country abounded.

TECHNICAL PROCESSES

The methods employed by the ancient sculptor differed in some respects from those followed by his modern successors. A Greek marble statue was usually built up out of several parts. The joining was accomplished with such skill as to escape ordinary observation. The preliminary work of hewing out from the rough was done by means of chisels. The surface of the marble afterwards received a careful polishing with the file, and also with sand. Marble statues were always more or less painted. The coloring seems to have been done sparingly, being applied, as a rule, only to the features and draperies. Still, it is worth while to remember that the pure white statues of modern sculptors would not have satisfied Greek artists of the classical age.

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THE MAKING OF EUROPE / EARLY EUROPEAN HISTORY: Table of Contents

url: www.ellopos.net/politics/european-history/default.asp


IN PRINT

Rediscovering the Path to Europe Henrik Ibsen, A Doll's House

Learned Freeware

Cf. The Ancient Greece * The Ancient Rome
Eastern Roman Empire (Byzantium) * Western Medieval Europe * Renaissance in Italy

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