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Three Millennia of Greek Literature
 

D. Snider
A Commentary on the Odyssey of Homer - Part I

From, Homer's Odyssey: A commentary
[Please note that the Table of Contents here published, is created by Elpenor and is not to be found in the print version]

Table of Contents \ Odyssey Complete Text \ Greek Fonts \ More Greek Resources

ELPENOR EDITIONS IN PRINT

HOMER

PLATO

ARISTOTLE

THE GREEK OLD TESTAMENT (SEPTUAGINT)

THE NEW TESTAMENT

PLOTINUS

DIONYSIUS THE AREOPAGITE

MAXIMUS CONFESSOR

SYMEON THE NEW THEOLOGIAN

CAVAFY

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Page 60

3. Now Ulysses is brought before us. The first fact about him is, his intense longing to return home; he is found "sitting on the shore, and his eyes were never dry of tears" as he looked out on the sea toward his country; "for the nymph was no longer pleasing to him," whatever may have been the case once. Surely the hero is in bonds which he cannot break, though he would; a penitential strand we may well find in his sorrow; thus he is ready for release.

Calypso, therefore, announces to him the divine plan: he must make a raft and commit himself to the waters. She has to obey, for is she not really conquered by Ulysses? Certainly the divine order requires her to send the man away from her island. Yet the return is by no means made easy, but is to be won by hardest effort; he must grapple with the waves, with angry Neptune after leaving Calypso. No wonder that Ulysses shuddered at the proposition; truly he has the choice between the devil and the deep sea, and he manfully chooses the latter. First, however, the Goddess has to take the great oath "by Earth, by Heaven above and Styx below," the sum total of the physical universe, from whose presence the perjurer cannot escape, though a God, that she is not practicing any hidden guile against her much-desired guest. Always the doubter, the skeptic Ulysses will show himself, even toward a divinity. He must test the Gods also, as well as man. Very beautiful and humane is the answer of the Goddess: "Such things I plan and deliberate for thee as I would devise for myself, were I in so great straits. For I too have a righteous mind, and the heart within my breast is not of iron, but compassionate."

Has a change come over the Goddess through this visit from Olympus? Hardly could she have felt this before, else she would have sent away Ulysses of her own accord. Her adjustment to the divine decree seems now to be internal, and not simply a yielding to an external power. Still the separation costs her deep pangs, and she wonders how Ulysses, a mortal, can give her up, who is immortal, with all her beauty and the pleasures of her paradise.

The answer of Ulysses reveals the man in his present stale of mind. He recognizes Calypso as beautiful, deathless, ever young; still he must have something more than sensuous life and beauty; though it last forever, it can never satisfy. Not to be compared with the Goddess in grace and stature, is his wife Penelope, still he longs for his home; "yea, though some God wreck me on the wine-dark deep, I shall endure." But there is no doubt the other side is also present in Ulysses; he has within himself a strong sensuous nature with which is the battle, and the poem does not disguise the matter, for he is again ready to enjoy all the pleasures of Calypso's bower, after this paroxysm of home-sickness.

Such is the deep struggle of the man; such is also the divine obstacle, which has to be removed by an Olympian interference before he can return. We see that Ulysses in spite of all blandishments of the Goddess and momentary weakness of himself, was ready for its removal; in his heart he has overcome Calypso, and wishes to get back to his institutional life in Family and State. Such a man must return, the Gods must be on his side, else they are not Gods. According to the Greek conception, Calypso is a subordinate deity who must be put down by the Olympians; appetite is not a devil, but a lower good, which must be adjusted to the higher. Note, then, that the external stream, or the world-movement represented by the Gods, now unites with the internal stream, the spirit of the individual, and brings forth the great event. As stated often before, these two streams run through all Homeric poetry.

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Cf. Pharr, Homer and the study of Greek * Odyssey Complete Text
Iliad Complete Text * Homer Bilingual Anthology and Resources * Livingstone, On the Ancient Greek Literature
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Reference address : https://www.ellopos.net/elpenor/greek-texts/ancient-greece/snider-odyssey.asp?pg=60