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Three Millennia of Greek Literature
 

D. Snider
A Commentary on the Odyssey of Homer - Part I

From, Homer's Odyssey: A commentary
[Please note that the Table of Contents here published, is created by Elpenor and is not to be found in the print version]

Table of Contents \ Odyssey Complete Text \ Greek Fonts \ More Greek Resources

ELPENOR EDITIONS IN PRINT

HOMER

PLATO

ARISTOTLE

THE GREEK OLD TESTAMENT (SEPTUAGINT)

THE NEW TESTAMENT

PLOTINUS

DIONYSIUS THE AREOPAGITE

MAXIMUS CONFESSOR

SYMEON THE NEW THEOLOGIAN

CAVAFY

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Page 63

II.

We now come to the great physical obstacle standing in the way of the Return of Ulysses, the sea, which, however, has always its divine side to the Greek mind. A series of water-deities will rise before us out of this mighty element, assuming various attitudes toward the solitary voyager. Three of them, showing themselves as hostile (Neptune), as helpful (Ino Leucothea), as saving (the River-God); all three too seem in a kind of gradation, from the vast total sea, through one of its phases, to the small stream pouring into the sea from the land. Thus the Greek imagination, playing with water, deified the various appearances thereof, specially in their relation to man. The introduction of these three marine divinities naturally organizes this second part of the Fifth Book into three phases or stages. Such is the divine side now to be witnessed.

Parallel to this runs the human side, represented by the lone hero Ulysses, who is passing through a fearful ordeal of danger with its attendant emotions of anxiety, terror, hope, despair. A very hard test is surely here applied to weak mortal flesh. We shall observe that he passes through a series of mental perturbations at each divine appearance; he runs up and down a scale of doubt, complaint, resolution. His weakness he will show, yet also his strength; dubitation yet faith; he will hesitate, yet finally act. Thus he saves himself at last through his own will, yet certainly with the help of the Gods; for both sides have to co-operate to bring about the heroic act of his deliverance.

Pallas also comes to the aid of her favorite, but in an indirect manner. The sea does not seem to be her element. She stops the winds and "informs his mind with forecast," but she does not personally appear and speak, nor is she addressed, as is the case with the water-gods. She plays in by the way in this marine emergency; her appearances now do not organize the action. But the three appearances of the water-gods are the organic principle, their element being at present the scene of the adventure. On these lines we shall note the course of the poem in some detail.

1. Neptune returning from the Ethiopians to Hellas, sees the lone sailor with his little craft from the heights of the mountain called Solyma; at once the God's wrath is roused and he talks to himself, "shaking his head." The clouds, the winds, the ocean obeyed his behest, and fell upon the voyager in a furious tempest. A huge billow whirled the raft around and threw Ulysses off into the deep; with difficulty be regained his place, and escaped death.

A vivid picture of the grand obstacle to early navigation, of which Neptune is the embodiment. Why should he not be angry at the man who seeks to tame him? The raft means his ultimate subjection. Nature resists the hand which subdues her at first, and then gracefully yields. To be sure there had to be a mythical ground for Neptune's anger at Ulysses: the latter had put out the eye of his son, the Cyclops Polyphemus, which was another phase of the subjection of wild nature to intelligence. For seventeen days Ulysses had easy sailing, guided by the stars; but the sea has its destructive side which must also be experienced by the much-enduring man.

Corresponding to this outer tempest, we observe an inner tempest in the soul of Ulysses. "O me wretched! what is now to happen to me!" Terror unmans him for the time being; regret weakens him: "Thrice happy, four times happy the Greeks who fell on Troy's broad plain!" Thus he goes back in memory to his heroic epoch and wishes for death then. Too late it is, for while he is lamenting, a wave strikes him and tosses him out into the deep; now he has to act, and this need of action saves him from his internal trituration, as well as from external death.

With this renewed energy of the will, a new help appears, a divine aid from the sea. For without his own strong effort, no God can rescue him, however powerful. That toss out into the waves was not without its blessing.

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Cf. Pharr, Homer and the study of Greek * Odyssey Complete Text
Iliad Complete Text * Homer Bilingual Anthology and Resources * Livingstone, On the Ancient Greek Literature
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