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Chesterton

David Copperfield : To Bless and Get Rid

IN PRINT

Henrik Ibsen, A Doll's House  


Page 3

I will not dwell here on the subsequent adventures of this very sentimental and extremely English illusion. It would be an exaggeration to say that Dickens in this matter is something of a forerunner of much modern imperialism. His political views were such that he would have regarded modern imperialism with horror and contempt. Nevertheless there is here something of that hazy sentimentalism which makes some Imperialists prefer to talk of the fringe of the empire of which they know nothing, rather than of the heart of the empire which they know is diseased. It is said that in the twilight and decline of Rome, close to the dark ages, the people in Gaul believed that Britain was a land of ghosts (perhaps it was foggy), and that the dead were ferried across to it from the northern coast of France. If (as is not entirely impossible) our own century appears to future ages as a time of temporary decay and twilight, it may be said that there was attached to England a blessed island called Australia to which the souls of the socially dead were ferried across to remain in bliss for ever.

This element which is represented by the colonial optimism at the end of David Copperfield is a moral element. The truth is that there is something a little mean about this sort of optimism. I do not like the notion of David Copperfield sitting down comfortably to his tea-table with Agnes, having got rid of all the inconvenient or distressing characters of the story by sending them to the other side of the world. The whole thing has too much about it of the selfishness of a family which sends a scapegrace to the Colonies to starve with its blessing. There is too much in the whole thing of that element which was satirised by an ironic interpretation of the epitaph "Peace, perfect peace, with loved ones far away." We should have thought more of David Copperfield (and also of Charles Dickens) if he had endeavoured for the rest of his life, by conversation and comfort, to bind up the wounds of his old friends from the seaside. We should have thought more of David Copperfield (and also of Charles Dickens) if he had faced the possibility of going on till his dying day lending money to Mr. Wilkins Micawber. We should have thought more of David Copperfield (and also of Charles Dickens) if he had not looked upon the marriage with Dora merely as a flirtation, an episode which he survived and ought to survive.

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