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Chesterton

David Copperfield : To Bless and Get Rid

IN PRINT

 

Page 2

But in the case of David Copperfield there is a real reason for noting an air of fatigue. For although this is the best of all Dickens's books, it constantly disappoints the critical and intelligent reader. The reason is that Dickens began it under his sudden emotional impulse of telling the whole truth about himself and gradually allowed the whole truth to be more and more diluted, until towards the end of the book we are back in the old pedantic and decorative art of Dickens, an art which we justly admired in its own place and on its own terms, but which we resent when we feel it gradually returning through a tale pitched originally in a more practical and piercing key. Here, I say, is the one real example of the fatigue of Dickens. He begins his story in a new style and then slips back into an old one. The earlier part is in his later manner. The later part is in his earlier manner.

There are many marks of something weak and shadowy in the end of David Copperfield. Here, for instance, is one of them which is not without its bearing on many tendencies of modern England. Why did Dickens at the end of this book give way to that typically English optimism about emigration? He seems to think that he can cure the souls of a whole cartload, or rather boatload, of his characters by sending them all to the Colonies. Peggotty is a desolate and insulted parent whose house has been desecrated and his pride laid low; therefore let him go to Australia. Emily is a woman whose heart is broken and whose honour is blasted; but she will be quite happy if she goes to Australia. Mr. Micawber is a man whose soul cannot be made to understand the tyranny of time or the limits of human hope; but he will understand all these things if he goes to Australia. For it must be noted that Dickens does not use this emigration merely as a mode of exit. He does not send these characters away on a ship merely as a symbol suggesting that they pass wholly out of his hearer's life. He does definitely suggest that Australia is a sort of island Valley of Avalon, where the soul may heal it of its grievous wound. It is seriously suggested that Peggotty finds peace in Australia. It is really indicated that Emily regains her dignity in Australia. It is positively explained of Mr. Micawber not that he was happy in Australia (for he would be that anywhere), but that he was definitely prosperous and practically successful in Australia; and that he would certainly be nowhere. Colonising is not talked of merely as a coarse, economic expedient for going to a new market. It is really offered as something that will cure the hopeless tragedy of Peggotty; as something that will cure the still more hopeless comedy of Micawber.

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