Philosophical Europe ||| The Political Progress ||| European Witness ||| EU News
European Forum ||| Special Homages: Meister Eckhart / David Copperfield ||| Donate
From Jacob Burckhardt's 2nd edition of the Civilization of the Renaissance in Italy; edited for this on-line publication, by ELLOPOS
Part Three: The Revival of Antiquity
Fall of the Humanists in the Sixteenth Century
» Full Contents of this Part
Part Three: The Revival of Antiquity » Introductory » The Ruins of Rome » The Classics » The Humanists » Universities and Schools » Propagators of Antiquity » Epistolography: Latin Orators » The Treatise, and History in Latin » Antiquity as the Common Source » Neo-Latin Poetry » Fall of the Humanists in the Sixteenth Century
Why, it may be asked, were not these reproaches, whether true or false, heard sooner? As a matter of fact, they were heard at a very early period, but the effect they produced was insignificant, for the plain reason that men were far too dependent on the scholars for their knowledge of antiquity - that the scholars were personally the possessors and diffusers of ancient culture. But the spread of printed editions of the classics, and of large and well-arranged handbooks and dictionaries, went far to free the people from the necessity of personal intercourse with the humanists, and, as soon as they could be but partly dispensed with, the change in popular feeling became manifest. It was a change under which the good and bad suffered indiscriminately.
The first to make these charges were certainly the humanists themselves. Of all men who ever formed a class, they had the least sense of their common interests, and least respected what there was of this sense. All means were held lawful, if one of them saw a chance of supplanting another. From literary discussion they passed with astonishing suddenness to the fiercest and the most groundless vituperation. Not satisfied with refuting, they sought to annihilate an opponent. Something of this must be put to the account of their position and circumstances; we have seen how fiercely the age, whose loudest spokesmen they were, was borne to and fro by the passion for glory and the passion for satire. Their position, too, in practical life was one that they had continually to fight for. In such a temper they wrote and spoke and described one another. Poggio's works alone contain dirt enough to create a prejudice against the whole class - and these 'Opera Poggii' were just those most often printed, on the north as well as on the south side of the Alps. We must take care not to rejoice too soon, when we meet among these men a figure which seems immaculate; on further inquiry there is always a danger of meeting with some foul charge, which, even if it is incredible, still discolors the picture. The mass of indecent Latin poems in circulation, and such things as ribaldry on the subject of one's own family, as in Pontano's dialogue 'Antonius,' did the rest to discredit the class. The sixteenth century was not only familiar with all these ugly symptoms, but had also grown tired of the type of the humanist. These men had to pay both for the misdeeds they had done, and for the excess of honour which had hitherto fallen to their lot. Their evil fate willed it that the greatest poet of the nation, Ariosto, wrote of them in a tone of calm and sovereign contempt.
Cf. The Ancient Greece * The Ancient Rome
The Eastern Roman Empire (Byzantium) * The Making of Europe