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Or, again, take objects moving at unequal rates, as Achilles and a tortoise. Let the tortoise have a start of any given length, then Achilles, however much he excel in speed, will never overtake the tortoise. For, while Achilles has passed over the originally intervening space, the tortoise will have passed over a certain space, and when Achilles has passed over this second space the tortoise will have again passed over some space, and so on ad infinitum; therefore in an infinite time there must always be a space, though infinitely diminishing, between the tortoise and Achilles, i.e. the tortoise must always be at least a little in front. These will be sufficient to show the kind of arguments employed by Zeno. In themselves they are of no utility, and Zeno never pretended that they had any. But as against those who denied that existence as such was a datum independent of experience, something different from a mere sum of isolated things, his arguments were not only effective, but substantial. The whole modern sensational or experiential school, who derive our ‘abstract ideas,’ as they are called, from ‘phenomena’ or ‘sensation,’ manifest the same impatience of any analysis of what they mean by phenomena or sensation, as no doubt Zeno’s opponents manifested of his analyses. As in criticising the one, modern critics are ready with their answer that Zeno’s quibbles are simply “a play of words on the well-known properties of infinities,” so they are quick to tell us that sensation is an “affection of the sentient organism”; ignoring in the first case the prior question where the idea of infinity came from, and in the second, where the idea of a sentient organism came from. Indirectly, as we shall see, Zeno had a great effect on subsequent philosophies by the development of a process of ingenious verbal distinction, which in the hands of so-called sophists and others became a weapon of considerable, if temporary, power.


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