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SEBASTIAN LEHNER
David Copperfield as an example of the Victorian socio-critical novel
IN PRINT

Henrik Ibsen, A Doll's House  


Page 25

In the end Em’ly fights her way back home to England, where she is received with love, compassion and forgiveness, but still not a lady. And again Dickens draws a contrast between the rich and poor, because whereas Em’ly’s story ends in poverty, but happiness, Steerforth has to face a completely different ending. He drowns on a ship, while Ham, the heartbroken lover, ironically dies in an attempt to save him. And finally David Copperfield says: “I saw him lying with his head upon his arm, as I had often seen him lie at school.”[33]

So this is a symbolical ending and in this somewhat exaggerated, almost forced plot, Dickens obviously wants to convey the following message: It is hardly possible to break from one’s social-standing in the society of the 19th century, but finally emotions, compassion and love are more important than anything, money, wealth and riches can give. Of course it might seem a bit too optimistic to the modern reader, however, it might not have been Dickens’ intention to find a solution to every problem going on in his times, but rather to show that there are other, more important values than just the material things, that were often worshiped at that time.

[33] Dickens, Charles, David Copperfield, p.731 

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