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From Jacob Burckhardt's 2nd edition of the Civilization of the Renaissance in Italy; edited for this on-line publication, by ELLOPOS
Part One: The State as a Work of Art
Foreign Policy
» Full Contents of this Part
Part One: The State as a Work of Art » Introduction » Despots of the Fourteenth Century » Despots of the Fifteenth Century » The Smaller Despotisms » The Greater Dynasties » The Opponents of the Despots » The Republics: Venice and Florence » Foreign Policy » War as a Work of Art » The Papacy » Patriotism
As the majority of the Italian States were in their internal constitution works of art, that is, the fruit of reflection and careful adaptation, so was their relation to one another and to foreign countries also a work of art. That nearly all of them were the result of recent usurpations, was a fact which exercised as fatal an influence in their foreign as in their internal policy. Not one of them recognized another without reserve; the same play of chance which had helped to found and consolidate one dynasty might upset another. Nor was it always a matter of choice with the despot whether to keep quiet or not. The necessity of movement and aggrandizement is common to all illegitimate powers. Thus Italy became the scene of a 'foreign policy' which gradually, as in other countries also, acquired the position of a recognized system of public law. The purely objective treatment of international affairs, as free from prejudice as from moral scruples, attained a perfection which sometimes is not without a certain beauty and grandeur of its own. But as a whole it gives us the impression of a bottomless abyss.
Civilization of the Renaissance in Italy: Table of Contents
url: www.ellopos.net/politics/renaissance/default.asp
Cf. The Ancient Greece * The Ancient Rome
The Eastern Roman Empire (Byzantium) * The Making of Europe