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Three Millennia of Greek Literature
 

Daniel Mendelsohn
Cavafy : The Life of a Poet

ELPENOR EDITIONS IN PRINT

The Original Greek New Testament
Page 8

But to divide the poet's work in this way is to make a very serious mistake: Cavafy's one great subject, the element that unites virtually all of his work, is time. His poetry returns obsessively to a question that is, essentially, a historian's question: how the passage of time affects our understanding of events—whether the time in question is the millennia that have elapsed since 31 BC, when the Hellenophile Marc Antony's dreams of an Eastern Empire were pulverized by Rome (the subject of seven poems) or the mere years that, in the poem "Since Nine—," have passed since those long-ago nights that the narrator spent in bustling cafés and crowded city streets: a space of time that has since been filled with the deaths of loved ones whose value he only now appreciates, sitting alone in a room without bothering to light the lamp. What matters to Cavafy, and what so often gives his work both its profound sympathy and rich irony, is the understanding, which as he knew so well comes too late to too many, that however fervently we may act in the dramas of our lives—emperors, lovers, magicians, scholars, Christians, catamites, stylites, pagans, artists, saints, poets—only time reveals whether the play is a tragedy or a comedy.

The references to long-vanished eras, places, and figures that we so often find in Cavafy's poetry, and which indeed are unfamiliar even to most scholars of classical antiquity, are, for this reason, never to be mistaken for mere exercises in abstruse pedantry. Or, indeed, for abstruseness at all. A poem that casually invokes, say, the autumnal thoughts of the Byzantine emperor Manuel Comnenus in the year 1180 functions quite differently from the way in which invocations of arcane material can function in (to take the well-known example of a contemporary) The Waste Land of T.S. Eliot—where the self-consciously rarefied quality of the numerous allusions is part of the texture of the poem, part of its Modernist project.


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Reference address : https://www.ellopos.net/elpenor/greek-texts/modern/cavafy-mendelsohn.asp?pg=8