From the Parnassians it was but a short step to Baudelaire, a Greek
translation of whose "Correspondences" constitutes part of one 1892 poem; and,
ultimately, to Symbolism. It is not hard to see the allure that Baudelaire's
elevation of the poet as a member of an elite—a gifted seer whose special
perceptions were denied to the common mass—had for the young poet, in whom a
rarefied taste for the past, as well as a necessarily secret taste for
specialized erotic pleasures, coexisted. Lines from the second half of
"Correspondences According to Baudelaire" suggest how thoroughly the young
Alexandrian had absorbed the lessons of the pioneering French modernist:
Do not believe only what you see. The vision of poets is sharper still. To
them, Nature is a familiar garden. In a shadowed paradise, those other people
grope along the cruel road....
By the end of the 1890s he was experiencing a profound intellectual and
artistic crisis precipitated by his engagement not with other poets, but with
two historians. A series of reading notes on Gibbon's Decline and Fall of the
Roman Empire, made between 1893 and 1899, indicates a serious ongoing engagement
with the great Enlightenment historian.