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Three Millennia of Greek Literature
 

F. B. Tarbell, A History of Ancient Greek Art

The Great Age of Greek Sculpture. First Period 450-400 B. C.

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Page 4

It is a good illustration of the uncertainty which besets the attempt to classify extant Greek sculptures into local schools that this head has been claimed with equal confidence as Argive[4] and as Attic in style. In truth, Argive and Attic art had so acted and reacted upon one another that it is small wonder if their productions are in some cases indistinguishable by us.

[4] So by Professor Charles Waldstein, who directed the excavations.


The last remark applies also to the bronze statue shown in Fig. 142, which is believed by high authorities to be an original Greek work and which has been claimed both for Athens and for Argos.

The standing position, while not identical with that of the Doryphorus, the Diadumenos, and the wounded Amazon, is strikingly similar, as is also the form of the head. At all events, the statue is a fine example of apparently unstudied ease, of that consummate art which conceals itself.

 

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