In the Mycenaean period, as we have seen, the art of sculpture had little existence, except for the making of small images and the decoration of small objects. We have now to take up the story of the rise of this art to an independent and commanding position, of its perfection and its subsequent decline. The beginner must not expect to find this story told with as much fulness and certainty as is possible in dealing with the art of the Renaissance or any more modern period. The impossibility of equal fulness and certainty here will become apparent when we consider what our materials for constructing a history of Greek sculpture are.
First, we have a quantity of notices, more or less relevant, in ancient Greek and Roman authors, chiefly of the time of the Roman Empire. These notices are of the most miscellaneous description. They come from writers of the most unlike tastes and the most unequal degrees of trustworthiness. They are generally very vague, leaving most that we want to know unsaid. And they have such a haphazard character that, when taken all together, they do not begin to cover the field. Nothing like all the works of the greater sculptors, let alone the lesser ones, are so much as mentioned by name in extant ancient literature.
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