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One of the human heads is here reproduced. Sadly mutilated as it is, is has become possible by its help and that of its fellow to recognize with great probability the authorship of Scopas in a whole group of allied works. Not to dwell on anatomical details, which need casts for their proper illustration, the obvious characteristic mark of Scopadean heads is a tragic intensity of expression unknown to earlier Greek art. It is this which makes the Tegea heads so impressive in spite of the "rude wasting of old Time."

The magnificent head of Meleager in the garden of the Villa Medici in Rome shows this same quality. A fiery eagerness of temper animates the marble, and a certain pathos, as if born of a consciousness of approaching doom. So masterly is the workmanship here, so utterly removed from the mechanical, uninspired manner of Roman copyists, that this head has been claimed as an original from the hand of Scopas, and so it may well be. Something of the same character belongs to a head of a goddess in Athens.

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Reference address : http://www.ellopos.net/elpenor/greek-texts/ancient-greece/history-of-ancient-greek-art-47.asp?pg=2

F. B. Tarbell, A History of Ancient Greek Art

The Great Age of Greek Sculpture. Second Period 400-323 B.C.

Scopas of Paros